Looking for medina, metius, media, medic?

seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

G239

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

G239

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — Story of Haftvad, c. 1300
Western Iran or Baghdad

G243

old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted — Fan Painting of a Daoist Magician, c. 1650
Wan Shouqi

G103

water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity — Misty River and Layered Peaks, Wanli period, 1608
Gu Deyi

G203

depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Unknown Korean

Not on View

rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

G218

two small buildings on stilts at the base of a waterfall; rocky outcropping above — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

front view of two story house with white siding, frown framing, and green shutters; trees peeking over brick wall in front yard; ochre colored background — Kobe No. 2, 1971
Tanaka Ryōhei

G227

yellow, red, and blue pansies — Pansy, 1969
Tanaka Ryōhei

G227

Evening Shower over Ōhashi Bridge and Atake, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Evening Shower over Ōhashi Bridge and Atake, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppōzu and Tsukiji Hongan-ji Temple, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Teppōzu and Tsukiji Hongan-ji Temple, 1858, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Forest of Suijin Shrine and Masaki on the Sumida River, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kinryūzan Temple, Asakusa, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Kinryūzan Temple, Asakusa, 1856, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Seidō and Kanda River from Shōhei Bridge, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Seidō and Kanda River from Shōhei Bridge, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Nihonbashi, Clearing After Snow, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Nihonbashi, Clearing After Snow, 1856, 5th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

man with long hair and long beard, holding a sword, wearing a grey kimono with a brown dragon on the stomach; green cowering demon at L; curtain and door at R — Picture of Shōki Capturing a Demon in the Dream, 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

G219

2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings — Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928
Various artists

Not on View

buildings on a small, mountainous island seen from high vantage point; seven boats in water — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

Red flower at L with black and wash grey leaf shape at R — Lotus, early 20th century
Qi Baishi

Not on View

Mountains with buildings — Magnificence of Overhanging Bluff, 1723
Jin Yongxi

Not on View

Green mountains; red-leafed trees; buildings center — Autumnal Color Among Mount Quan and Mount Hua, 1723
Jin Yongxi

Not on View

five white mum blossoms on thick stems with green-grey leaves; text, URC — White Chrysanthemums, 1929
Wang Zhen

Not on View

yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC — Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

Not on View

Wisteria Maiden, Unknown Japanese — Wisteria Maiden, late 17th - early 18th century
Unknown Japanese

Not on View

simple design of vibrant red trees around small building; green mountain in background; block of text, URC — Landscape, 1812
Wang Xuehao

Not on View

peony-like pink bloom with leaves and branches; small opening bud at upper right — Flower Painting, late 18th century
Mianyi

Not on View

green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon — In Praise of Green Hills and White Clouds, 1905
Tanomura Chokunyū

Not on View

woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC — Woman and Cat, 1933
Yasuma Sodō

Not on View

3/4 bust of woman holding blotting paper to lips; black kimono with red cuffs and yellow and green trim; white collar with white flowers; eyes cast down; green tie in hair with yellow ornaments — Beautiful Woman, second half 19th century
Unknown Japanese

Not on View

several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward — Landscape in the Style of Taiga, late 18th - early 19th century
Nagamachi Chikuseki

Not on View

Basho and Deer, late 18th - early 19th century

Ki Baitei

Not on View

pink rock surrounded by wisps of graceful grasses and foliage; blossoming grey flowers at L and R sides of rock — Orchid and Rock, late 18th - early 19th century
Totoki Baigai

Not on View

very long, narrow image; short, balding man wearing white robe with light blue crisscross pattern; man is balancing on one foot with both arms in the air; he is looking upwards at a deep plate that is balancing on top of an extremely long pole; pole is resting on his forehead — Balancing a Plate, first half 19th century
Seisai

Not on View

brightly colored fantastic creatures with animal and human attributes, many with pointed claws, tusks, grotesque faces, or apparition-like qualities — A Collection of Monsters [one of a pair], late 18th - early 19th century
Unknown Japanese

Not on View

swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud — Great Buddhist Avatar Akiba-san, 19th century
Unknown Japanese

Not on View

monk wearing black robe, holding rosary in both hands rides backwards on a horse; large, halo-like woven hat behind head; PR leg folded across horse with PL leg hanging off side of horse; monk has mostly bald head with dark beard, large earlobes, and determined look on face; horse is turned away at 3/4 view; inscription ULQ; short inscription LRQ — Monk Riding Backwards, 19th century
Hirano Gogaku; Artist: Hoashi Kyōu

Not on View

one-line inscription center; cucumber, persimmon, and two red chilies at bottom — Tastes in a Rural Cottage, first half 20th century
Fukuda Kodōjin

Not on View

two white flowers on two-part black stalk with light blue-green shading; gold veins; painted on fan-shaped background; inscription with round stamp LRQ — Hollyhocks, 1910s
Kamisaka Sekka

Not on View

monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens — Monkeys in Pine Trees, 1853
Kishi Renzan

Not on View

pot of glowing coals with billow of smoke; fan resting against side of pot; clusters of black dots within and slightly outside of smoke cloud; inscription at R — Smoking Out Insects, c. 1927-1941
Fukuda Kodōjin

Not on View

figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures — Zengetsu Daishi and Saints, mid 19th century
Butsujo Jisen

Not on View

towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL — Landscape with Scholar and Empty Pavilion, second half 19th century
Doi Gōga

Not on View

rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL — Autumn Landscape, early 20th century
Hashimoto Dokuzan

Not on View

L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water — Hawks by a Stream [left of a pair], mid 17th century
Soga Nichokuan

Not on View

Woman Sweeping [right of a pair of Women], early 19th century

Tatebe Sōchō

Not on View

two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right — Album leaf, c. 1875
Qian Hui'an

Not on View

male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side — Michiyuki, first half 19th century
Hosokawa Rinkoku

Not on View

red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall — Monkey on a snow hill, mid 19th century
Ōhara Donshū

Not on View

older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand — Painter with Two Students, 2002
Minol Araki

Not on View

bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing — Album leaf, c. 1875
Qian Hui'an

Not on View

short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side — Ōtsu-e, 17th - 19th century
Unknown Japanese

Not on View

frog riding toad in center surrounded by frogs wearing white robes; other white robed frogs on L and R as well as unclothed frogs carrying various objects; some tadpoles on L — Procession of Frogs, c. 1738
Ogawa Haritsu

Not on View

white-robed figure resting on a rock within a churning body of water; large halo behind figure's head, landscape with waterfall extending up L side; figure wears ornate gold headdress, earrings, and bracelets — White-robed Kannon, late 15th century
attributed to Kenkō Shōkei

Not on View

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees — Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

Not on View

angled gray rock formation at center and portion of rock formation at UL; bright orange and red blossoms overlap; inscription URQ — Rocks and Flowers, 1817
Okada Beisanjin; Artist: Okada Hankō

Not on View

gruesome battle scenes between humans in samurai armor and demons and monsters; crowds of men and women near end — Shutendoji emaki, early 17th century
Unknown Japanese

Not on View

various images of brightly colored demons and other imagined creatures; many with fangs and claws; some on fire; others riding on clouds or emerging from waves — A Collection of Monsters [one of a pair], late 18th - early 19th century
Unknown Japanese

Not on View

two lines of calligraphy on decorated paper; paper decorated with horizontal wavelike motif; a few delicate plants; waves of blue fibers at top — At the Ōi River, late 16th - early 17th century
Emperor Go-Yōzei

Not on View

horizontally oriented painting of two blossoming pink roses; foliage begins LLC, extends upward with a bud near top center, and horizontally towards LR with the two blossoming roses; black and blue butterfly at top rose; three lines of calligraphy at ULC with two part rectangular seal with rounded edges — Flowers and Butterfly, 1838
Yamamoto Baioku

Not on View

abstracted pine tree extending diagonally up the scroll from LL with bristly, pointed, downturned branches and bristles along trunk; red sun in upper center; hints of pale pink clouds in background — Pine Tree and Rising Sun, Ca. 1942
Fukuda Kodōjin

Not on View

pallette is predominanty beige, grey, white and green; two white birds at bottom of panels 2 and 4; grey bird in tree in panel 3; owl in tree in panel 6 and a few other birds; painting on back of screen also — Birds in Landscape [right of a pair], early 16th century
Shūgetsu Tōkan

Not on View

cluster of buildings in a mountain valley with waterfall at center R; thatched roofs, lightly tinted brown; pine trees and blossoming trees in front of buildings; light blue mountain in background; towering rock face at R with small walking path below; rolling mountain bluffs with pine trees rise towards UL; narrow walking path leads to another cluster of buildings with white walls and planked, pitched roofs; another waterfall at far L; inscription at center with two small red stamps; red relief stamp LRC; mounted to jet black board — Amid the Mountains, second half 19th century
Ninchōji Baikoku

Not on View

robed man kneeling with arms folded in lap; man is bald, has slight smile and small, narrow eyes; resting against a white object outlined in black and blue; inscription above — Haiku Poet Shohaku, early 19th century
attributed to Yokoi Kinkoku

Not on View

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat — Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

Not on View

three elegantly dressed women; standing woman on R facing R and wearing white, red, and black; two seated women wearing grey — Women in the Demimonde, first half 19th century
attr. Yamaguchi Soken

Not on View

front 3/4 view of woman in white robes looking over PR shoulder; woman has subtle smile and holds object in outstretched hands; two line inscription URQ — Female Chinese Immortal Ma Ku, 1831 (inscription, painting undated)
Hayashi Rōen; Author: Inscribed by Tanomura Chikuden

Not on View

somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ — Boating on a Pure Creek, January 1930 (box)
Fukuda Kodōjin

Not on View

two-sided fan: two groups of three conical, minimalist evergreens; evergreens have dark brown trunks with moss; opposite side: minimalist landscape of mountains in silver and gold pigment — Pine Trees, 1900s-1910s
Kamisaka Sekka

Not on View

three white birds on tree on R; duck in water with water plants on L — Birds in Landscape [right of a pair], first half 17th century
Kano Naonobu

Not on View

three elegantly dressed women facing R; standing woman in back wearing red with two seated women in front of her — Ladies of the Warrior Class, first half 19th century
attr. Yamaguchi Soken

Not on View

eleven lines of text; landscape with tall rock formation, figures in a boat, and leafless trees growing from flat rocks in LRQ — Heart Sutra and Landscape, mid 18th century
Ike Taiga

Not on View

snow scene with woman with two children close to her body, all in very stong winds that are blowing their clothes; the woman's hat has just flown off of her head; another overturned hat at bottom; all are wearing red kimonos — Lady Tokiwa Fleeing with Children, 1850s
Utagawa Kunitsugu

Not on View

snow covered bare tree and plants on L with five birds; snow covered branch coming down from top in panel 3 with large bird seated on branch; small flying bird in panel 6 — Birds in Landscape [left of a pair], first half 17th century
Kano Naonobu

Not on View

Sketches (shukuzu), mid - late 17th century

Kano Tan'yū

Not on View

rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge — Figure with Inscription, early 20th century
Higashiyama Bugyoku

Not on View

white and pink peony with foliage at center; smaller, yellow-orange flower with foliage to the R; small inscription URQ — Peony on a fan, first half 19th century
Yamamoto Baiitsu

Not on View

bustling crowds of townspeople and travelers; prostitutes pulling on men; people carrying parcels and palanquins; people pulling horses; far L panels depict people sitting and eating, bathing, chatting, looking at pictures, smoking, and receiving massages — Scenes of Ōtsu, c. 1790
Ki Baitei

Not on View

three elegantly dressed women; one standing on the R looking back at other two, one leaning forward, and one seated; standing woman wearing blue/grey, leaning woman wearing pink, seated woman wearing black — Wives of Merchants, first half 19th century
attr. Yamaguchi Soken

Not on View

two trees growing from grey rocks at LL; small male figure in white, walking down winding path, bent under a yoke with two boxes at R; two sailboats at UR; inscription ULQ — Boating on the Spring River, mid 19th century
Hine Taizan

Not on View

group of three figures near bottom hiking near the base of a steep valley and large boulder; first figure wears short grey jacket and carries a white and blue bundle across shoulders; center figure wears white robe with long black headdress; third, shorter figure wears blue robe and carries a gourd on back; long, curving formation (cloud bank? waterfall?) cuts across center from UL; foliage at center; towering, pointed mountain in background UR with pagoda (with light pinkish/brown wash of color) near its base — Paying a Visit among Valleys and Mountains, late 19th century
Doi Gōga

Not on View

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